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8 January 1836 – 25 June 1912. Most renowned painters.

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VERHAGHEN, Pieter Jozef
Hagar and Ishmael Banished by Abraham

ID: 51184

VERHAGHEN, Pieter Jozef Hagar and Ishmael Banished by Abraham
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VERHAGHEN, Pieter Jozef Hagar and Ishmael Banished by Abraham


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VERHAGHEN, Pieter Jozef

Flemish painter (b. 1728, Aarschot, d. 1811, Leuven).   Related Paintings of VERHAGHEN, Pieter Jozef :. | Bringing in the Nets | Woman Playing a Mandolin | Rio dei Mendicanti | Hl. Andreas and Hl. Franziskus, el Greco(1540-1614) | Portrait of the Daughter of Nikolai Petrovitsch Semjonov |
Related Artists:
Antonio Badile
Antonio Badile (c. 1518 - 1560) was an Italian painter from Verona. He trained with his uncle Francesco Badile. Along with Giovanni Francesco Caroto, Antonio is known as one of the mentors of Paolo Veronese and Giovanni Battista Zelotti; as well as his father-in-law. Badile is described as continuing the "retardataire" tradition of Giovanni Francesco Caroto well past the 1540s. His masterpiece is the altarpiece for San Nazaro of a Madonna and Saints (1540); another notable work is his Resurrection of Lazarus for the chapel of Santa Croce in the church of San Bernardino. Other works are found in towns of the Veneto.
Lorenzo Ghiberti
Italian Early Renaissance Sculptor, 1378-1455
John Robert Cozens
British 1752-1797 ). Painter, draughtsman and printmaker, son of (1) Alexander Cozens. He was taught by his father, and an album by John Robert (Aberystwyth, N. Lib. Wales) indicates that he also learnt to sketch landscape directly from nature. The album contains drawings that record sketching tours to Nacton, near Ipswich, Suffolk (Aug 1768); day trips to the outskirts of London: Greenwich and Blackheath (1768, 1771), Epsom (1768) and Hampstead (1770-71); and a trip to Matlock, Derbys (June 1772). The earliest of these sketches are careful pencil drawings, some later reworked in pen, ink and wash, and there is at least one attempt at added colour. Later drawings are freer, either noting an idea for a composition or recording light and shade with rapid washes of ink over pencil. His father worked mainly in monochrome brown or grey washes, and John Robert earliest exhibits (he exhibited at the Society of Artists every year from 1767 to 1771) were also in this medium.






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